Faithful LDS that are aware of the undeniable similarities between the LDS Temple Ceremony and the Masonry Rituals usually reconcile that issue by echoing what the early prophets have said.
Nevermind the dated references. Read if you have ever been in a mall, have just been in a mall, or are perhaps in one right now. I picked it up in Left Bank Books, Seattle. Anyone else have infos? From what I am gleaning most of these essays are on an a year-prescience-curve.
I just go into a full existential swoon of FTW. By the mids, acquisition has achieved the status of a new religion in the West. The appearance of a new advertising buzz-word, spirit, was a clear signal of this development. Now everything from a cola through a department store and a hotel chain to a fashion designer began to make even bolder assertions.
More recently, the world soul has enter the advertising lexicon as another religious additive to enhance acquisition.
In such a context, shopping malls have become the cathedrals of our time: Isolated from the mundane reality of urban existence, the shopping mall is sacred space, climate-controlled the patrolled, devoted to the ease of acquisition: This religion has evolved its own holy days such as Boxing Day solstice and holy seasons Back-To-School octave.
Nevertheless, this is a religion in which both faith and good words are necessary. Thus, the Gospels according to Armani and Alfred Sung, Ralph Lauren and Christian Dior are continually being reinterpreted for our edification and enlightenment.
For this reason, there exists a wealth of inspirational literature and illustrated texts to assist us on our salvific efforts. But such devotional reading and contemplation are only preparations for the greater liturgies of the mall.
The old form of mannequin like the old form of storefront was, for the most part, simply uninspiring,; its wig askew, its coiffure outmoded, its facial expression vague and nondescript, its limbs akimbo or missing, its stand ridiculous or pathetic.
Only by the greatest leap of faith could the consumer attain the proper buying spirit through a glance at such a guardian of the portals.
The new mannequins, on the other hand, are appropriate statuary the impressive cathedrals that surround them. But it is the faces of the new statuary that are most significant in their religious function: Inspiring neither solace nor prayer, these figures at the portals are port of the shrines of envy and are meant to inspire a certain measure of fear.
To gaze at one of these detailed figures is an oddly unsettling experience though in trough they are meant to be only glimpsed in passing. Typically, the statue is posed so that its haughty gaze is directed above or away from us, though we were quite obviously beneath contempt.
Whether we are fully conscious of the effect or not, we enter the chapels of Fashion subtly diminished and suitably envious. Such feelings enhance the redemptive power of the array of apparel within. Each article of clothing promises to increase our status and transform us in turn into objects of envy, in our own eyes and the accretion of socially envious connotations, religiosity, and sacred trust.
This veneer laid upon mere cloth y the high priests of Fashion is necessary for passing through the challenging ritual of the changing room. Making promises to join the modern-day flagellantes in daily workout routine, we proceed to put on the desired article of clothing that promises to miraculously transform our lives.
Like it, we must harden our gaze overlook that small inner voice of protest about ht price, and focus on the future vision of ourselves as the envied possessor of this article of apparel that most of the faithful will have already seen and desired in the inspirational fashion texts.
Wee know that the envious others will recognize at a glance that we have joined the elect. Where once it was possible for the faithful to identify, from a momentary glimpse, the habit of a Franciscan friar or Benedictine nun, so now the congregation is steeped in the familiar cut and style of various designer looks.
As the most dedicated of the Fashion faithful realize, it is the brand, not the cloth, that clothes us. Food, Shelter and Lee Jeans.
Through its instantaneous magic, we momentarily redeem ourselves and enter the ecstasy of acquisition that is fundamental to the new religion. The technomagic of the credit card is in keeping with the whole aura of effortlessness that pervades the mall.Introduction Global computer-based communications cut across territorial borders, creating a new realm of human activity and undermining the feasibility--and legitimacy--of applying laws based on geographic boundaries.
A historical commentary on the Gospel of Mark. Note the presence of the winepress and tower, as in Mark The language of the parable is drawn completely from the Septaugint (Kloppenborg , ), against Chilton (), who sees it as coming from a targum) and thus, cannot go back to Jesus.
The model for the Temple of Fashion is, appropriately, Lucifera's throne in Spenser's House of Pride, though one suspects that a more immediate model was William Hayley's Triumphs of Temper (), also in couplets, which would have been the height of fashion in Compare also "Fashion.
Democracy is a tender topic for a writer: like motherhood and apple pie it is not to be criticized. One will risk being roundly condemned if he, or she, points out the serious bottleneck that is presented when a community attempts, through the democratic process, to set plans for positive social action.
Dec 23, · The Temple of Fashion is an essay published originally in although I can’t find where it was originally published. I could only find it online on reocities (“salvaged from the ashes of geocities”) here and because the book I found it in is fairly rare and therefore expensive – I figured it is overdue for reposting.
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